|
The motion picture industry in its earliest days seemed as ephemeral as the flickering images it produced. Considered an amusement fad even by their exhibitors, movies nevertheless spread quickly from big-city vaudeville houses to towns and rural communities across the nation. Small-town audiences, looking for more than the lurid melodramas and slapstick comedies popular in cities, often lined up to see films with conservative and educational themes: scenic panoramas, biblical tableaux, newsreels, and manufacturing scenes
In this social history of the cinema during the silent-film era, Kathryn H. Fuller charts the gradual homogenization of a diverse American movie audience as itinerant shows gave way first to nickelodeon theaters and then to more luxurious picture palaces.
Fuller suggests that fan magazines helped to reduce the distinctions between rural and urban moviegoers and created a nationwide popular culture of film consumption. Analyzing the articles, advertisements, and letters in such publications as Motion Picture Story Magazine and Photoplay, Fuller shows that these fan magazines—which initially catered to adult readers—shifted their focus by the late 1910s to young women who, entranced by Hollywood glamour, eagerly bought products endorsed by the stars.
Although the transformation of the movies into big-time entertainment had multiple sources, Fuller argues that ultimately the maturation of the film industry depended on the support of both urban and rural middle-class audiences. Providing the fullest portrait to date of the small-town audience's changing habits and desires, At the Picture Show demonstrates for the first time how a fan culture emerged in the United States, and enriches our understanding of mass media's relationship to early twentieth-century American society.
|
|
"[Fuller] makes a fascinating examination of an underappreciated aspect of American film history. Consider it must reading for popular culture and film studies aficionados."
—Booklist
"Throughout the study of film in the United States, . . . small towns have garnered, at best, only passing attention and an occasional footnote. Kathryn H. Fuller's At the Picture Show seeks to fill this gap in film history. It's a book that needed to be written."
—Bloomsbury Review
"Fuller's work adds to the growing literature on early alternative movie practices and also pioneers innovative ways to explore audience reception and fan behavior."
—Journal of American History
"With movies, as with other cultural phenomena, at the beginning there was a wide gulf between reception in the cities and in the small towns. . . . Fuller carefully outlines these differences. . . . Hers is a valuable bit of cultural history, fascinating and informative."
—Journal of Popular Culture
|
