"Cities of Affluence and Anger contains more
than its share of revelatory insights and unexpected juxtapositions
that cause us to think in a new key about urbanism, class, rage,
and that ineffable thing called Englishness. . . . One has no doubt,
setting down this manuscript, that a strong critical voice has emerged."
Jennifer Wicke, University of Virginia, author of Advertising
Fictions: Literature, Advertisement, and Social Reading
|
Cities of Affluence and Anger:
A Literary Geography of Modern Englishness |
| |
| Peter J. Kalliney |
| 288 pages, 6 x 9 |
| 9 b&w illustrations |
| Cloth 978-0-8139-2573-8 $59.50 |
| Paper 978-0-8139-2574-5 $22.50 |
| Available January 2007 |
 |
Providing a compact literary history of the twentieth century
in England, Cities of Affluence and Anger studies the problematic
terms of national identity during England's transition from an
imperial power to its integration in the global cultural marketplace.
While the countryside had been the dominant symbol of Englishness
throughout the previous century, modern literature began to turn
more and more to the city to redraw the boundaries of a contemporary
cultural polity. The urban class system, paradoxically, still
functioned as a marker of wealth, status, and hierarchy throughout
this long period of self-examination, but it also became a way
to project a common culture and mitigate other forms of difference.
Local class politics were transformed in such a way that enabled
the English to reframe a highly provisional national unity in
the context of imperial disintegration, postcolonial immigration,
and, later, globalization.
Kalliney plots the decline of the country-house novel through
an analysis of Forster's Howards End and Waugh's Brideshead
Revisited, each ruthless in its sabotage of the trope of bucolic
harmony. The traditionally pastoral focus of English fiction gives
way to a high-modernist urban narrative, exemplified by Woolf's
Mrs. Dalloway, and, later, to realists such as Osborne
and Sillitoe, through whose work Kalliney explores postwar urban
expansion and the cultural politics of the welfare state. Offering
fresh new readings of Lessing's The Golden Notebook and
Rushdie's The Satanic Verses, the author considers the
postwar appropriation of domesticity, the emergence of postcolonial
literature, and the renovation of travel narratives in the context
of globalization.
Kalliney suggests that it is largely one cityLondon
through which national identity has been reframed. How and why
this transition came about is a process that Cities of Affluence
and Anger depicts with exceptional insight and originality.
Peter J. Kalliney is Assistant Professor
of English at the University of Kentucky. His work has appeared
in Modern Fiction Studies and PMLA.
|