"Liddle’s clear, easy-to-read, and notably original
study makes a major contribution to the study of Victorian periodicals.
In chapters that deftly illustrate their point through close readings,
Liddle demonstrates that attending to the genres of periodical writing
illuminates their protocols and achievements and enables scholars
to overcome the limitations of sociological generalizations about
the cultural effects of journalism. Liddle sets periodical scholarship
on a new course and persuasively forecasts the riches to be gained."—Robert
L. Patten, Rice University, author of George Cruikshank’s
Life, Times, and Art
|
The Dynamics of Genre:
Journalism and the Practice of Literature in Mid-Victorian
Britain |
| |
| Dallas Liddle |
| 248 pages, 6 x 9 |
| Cloth 978-0-8139-2783-1 $39.50 |
| Victorian
Literature and Culture Series |
| February 2009 |
 |
Newspapers, magazines, and other periodicals reached a peak of
cultural influence and financial success in Britain in the 1850s
and 1860s, out-publishing and out-selling books as much as one
hundred to one. But although scholars have long known that writing
for the vast periodical marketplace provided many Victorian authors
with needed income—and sometimes even with full second careers
as editors and journalists—little has been done to trace
how the midcentury ascendancy of periodical discourses might have
influenced Victorian literary discourse.
In The Dynamics of Genre, Dallas Liddle innovatively
combines Mikhail Bakhtin’s dialogic approach to genre with
methodological tools from periodicals studies, literary criticism,
and the history of the book to offer the first rigorous study
of the relationship between mid-Victorian journalistic genres
and contemporary poetry, the novel, and serious expository prose.
Liddle shows that periodical genres competed both ideologically
and economically with literary genres, and he studies how this
competition influenced the midcentury writings and careers of
authors including Elizabeth Barrett Browning, Harriet Martineau,
Anthony Trollope, George Eliot, and the sensation novelists of
the 1860s. Some Victorian writers directly adopted the successful
genre forms and worldview of journalism, but others such as Eliot
strongly rejected them, while Trollope launched his successful
career partly by using fiction to analyze journalism’s growing
influence in British society. Liddle argues that successful interpretation
of the works of these and many other authors will be fully possible
only when scholars learn to understand the journalistic genre
forms with which mid-Victorian literary forms interacted and competed.
Dallas Liddle is Associate Professor of
English at Augsburg College. His articles have appeared in Victorians
Institute Journal and Victorian Studies.
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