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The Modernist Response to Chinese Art:
Pound, Moore, Stevens
GALLERY
Unidentified Japanese artist, "Night Rain," a scene accompanied by a poem in Chinese (right) and a poem in Japanese (left) from Ezra Pound's screen book. (Courtesy of Mary de Rachewiltz, Brunnenburg, Italy; courtesy of Richard Taylor)
Unidentified Japanese artist, "Autumn Moon" (right), "Evening Bell" (center), "Sailboats Returning" (left), three scenes from Ezra Pound's screen book. (Courtesy of Mary de Rachewiltz, Brunnenburg, Italy; courtesy of Richard Taylor)
After Gu Kaizhi (ca. 345-406), 7th century, "Lady Feng and the Bear," a scene from Admonitions of the Instructress to Court Ladies © The Britsh Museum. (Courtesy, British Museum, London )
After Gu Kaizhi (ca. 345-406), 7th century, "Lady Ban Refuses to Ride," a scene from Admonitions of the Instructress to Court Ladies © The Britsh Museum. (Courtesy, British Museum, London )
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| by Zhaoming Qian |
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