The Modernist Response to Chinese Art:
Pound, Moore, Stevens
by Zhaoming Qian

TABLE OF CONTENTS

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List of Illustrations
List of Abbreviations
Preface

PART 1 China in Galleries
1. Pound and Chinese Art in the "British Museum Era"
2. Chinese Art Arrives in America: Stevens and Moore

PART 2 Remaking Culture
3. Pound and Pictures of Confucian Ideals
4. The Eternal Dao: Pound and Moore
5. Stevens and Chan Art

PART 3 Picturing the Other
6. Stevens's "Six Significant Landscapes"
7. Moore and Ming-Qing Porcelain: "Nine Nectarines"
8. Pound's Seven Lakes Canto

PART 4 The Poets as Critics and Connoissuers
9. Pound, Fenollosa, and The Chinese Written Character
10. Stevens as Art Collector
11. Moore and The Tao of Painting

PART 5 Late Modernism and the Orient
12. Moore and O to Be a Dragon
13. Nothingness and Late Stevens
14. The Chinese in Rock-Drill and Thrones

Appendix: Moore's Typescript for "Tedium and Integrity"
Notes
Index

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The Modernist Response to Chinese Art: Pound, Moore, Stevens

by Zhaoming Qian