Christina Rossetti (1830-1894) has come to be considered one
of the major poetsnot just one of the major women poetsof
the Victorian era, eclipsing her famous brother. Leading critics
have demonstrated how studies of Rossetti’s work, her daily
life, her relationships with the Pre-Raphaelites, and her interactions
with other women authors of the period can help us understand
the unique cultural situation of Victorian women writers. The
Letters of Christina Rossetti, four volumes, makes available
all of Rossetti’s extant letters, almost two-thirds of which
have never before been published. These letters come from over
one hundred private and institutional collections, scattered from
Scotland to Australia.
The fourth and final volume of the Letters covers the
last eight years of Christina Rossetti’s life. In 1887 Rossetti,
at the age of fifty-six, was living with her two aged, ailing
aunts. In addition to managing the household and nursing her aunts,
she published an enlarged edition of her collected poems and,
in 1892, wrote her greatest book of devotional prose, The
Face of the Deep. She also oversaw the production of a new
and enlarged edition of Sing-Song, published in 1893.
As a stay-at-home semi-invalid, she maintained a very large correspondence
with friends and family members. Her most intimate relationship
was with her sole remaining sibling, William Michael Rossetti,
but other correspondents include Amelia Bernard Heimann, Caroline
Gemmer, Frederic Shields, Rose Donne Hake, Olivia Garnett, Ellen
Proctor, Lisa Wilson, Arthur Symons, and Mackenzie Bell, who became
her first biographer. In these letters we discover Rossetti’s
views on subjects as diverse as the artistry of her poems, her
health, aging, death, gender roles, money, cats, flowers, games,
and her own supposed sinfulness.
In May of 1892 Christina Rossetti was diagnosed with breast cancerher
most serious medical crisis since her nearly fatal attack of Graves’
disease in the early 1870s. The cancer was removed, but she suffered
a recurrence in September 1894 and died on December 29th of that
year.
Antony H. Harrison is Professor of English at
North Carolina State University. He is the author of Victorian
Poets and the Politics of Culture: Discourse and Ideology, Victorian
Poets and Romantic Poems: Intertextuality and Ideology; Christina
Rossetti in Context;
and Swinburne’s Medievalism:
A Study in Victorian Love Poetry.Victorian Love Poetry.