A first-person meditation on the literary and visual arts of the
American West, Westernness: A Meditation explores how
this region has developed its own distinct culture, in literature
and painting, from the point of view of someone who has been,
at different times in his life, both a westerner and an easterner.
An engaging and astute reader and observer, Alan Williamson uses
his poetic lens to examine the new connections, notably with the
Far East, that have been forged in the West, but also the fear,
anxiety, and sense of cultural vacancy that western artists have
had to overcome in confronting their new landscape, much as the
writers of the American Renaissance did a century earlier.
Writing as a displaced easterner with significant western roots,
Williamson looks at writers and poets such as Cather, Lawrence,
Steinbeck, Jefferes, Silko, and Snyder, as well as artists such
as the Yosemite painters, Georgia O'Keeffe, and Wayne Thiebaud,
to show how, despite the inflated optimism of many western patriots,
the work of these individuals relates to the anxieties suffered
by their eastern predecessors. By revealing what he sees as the
repetition of the evolution of American literature in the rise
of western literature, Williamson provides us with a fresh vantage
point from which we can appreciate western literature, art, and
culture and simultaneously dismantle the literary war between
East and West.
A tribute to the author's lifelong engagement with a particular
landscape and its writers, Westernness speaks to the
general reader who is curious about his or her native place and
relationship to it, as well as to scholars in literary and ecocritical
studies.
Alan Williamson is Professor of English
at the University of California at Davis and the author of five
books of poems and four books of criticism, most recently The
Pattern More Complicated: New and Selected Poems
and Almost
a Girl: Male Writers and Female Identification (Virginia).