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Under
the Sign of Nature:
Explorations in Ecocriticism |
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This series formalizes the Press's commitment to publishing in the area
known as ecocriticism -- a critical perspective that brings environmental
considerations to bear within diverse scholarly contexts. Offering works
of critical inquiry and narrative scholarship in environmental literature,
history, sociology, and related disciplines, Under the Sign of Nature
will comprise trade books, anthologies, scholarly monographs, readers,
and selected paperback editions of classic works, placing particular emphasis
on strong writing and an innovative, interdisciplinary approach.
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Series
Editors
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| Michael
P. Branch, University of Nevada, Reno
SueEllen Campbell, Colorado State University
John Tallmadge, The Union Institute
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Forthcoming Fall 2007
by Rinda West
"In Out
of the Shadow: Ecopsychology, Story, and Encounters with the Land,
Rinda West suggests that the recovery of connection with nature may be
tied to a rediscovery of the numinous. Together, these may nourish and
grow from new attempts to restore wildness to the land and to psyche.
If you want to know what ritual is about, how it isolates and bridges
people, communities, and cultures, and of its power to bring about war
and peace, healing and harmony with the earth, this is the book to read."
—Jerome S. Bernstein, Jungian analyst, author of Living in the
Borderland: The Evolution of Consciousness and the Challenge of Healing
Trauma
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by Ellen Bellanca
A melange of fact,
narrative, and imaginative re-creation, the nature diary played a crucial
role in literature and science in a period of burgeoning knowledge about
the natural world. For students and scholars of environmental history,
the history of science, ecocriticism, and Victorian studies, Daybooks
of Discovery will prove an essential tool for understanding this
distinct genre.
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by John Elder
“This collaboration—between
George Perkins Marsh and John Elder, between Vermont and Italy, between
maple and olive—is one of the smartest, soundest, deepest books
about the relationship between people and nature that I’ve ever
read. It will be a classic.”
—Bill McKibben, author of The End of Nature
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by Alan Williamson
A first-person meditation
on the literary and visual arts of the American West, Westernness:
A Meditation explores how this region has developed its own distinct
culture, in literature and painting, from the point of view of someone
who has been, at different times in his life, both a westerner and an
easterner. An engaging and astute reader and observer, Alan Williamson
uses his poetic lens to examine the new connections, notably with the
Far East, that have been forged in the West, but also the fear, anxiety,
and sense of cultural vacancy that western artists have had to overcome
in confronting their new landscape, much as the writers of the American
Renaissance did a century earlier.
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by Kate Rigby
Although the British
romantic poets have been the subjects of previous ecocritical examinations,
Kate Rigby's Topographies of the Sacred is the first book to compare
English and German literary models of romanticism. Rigby treats not only
canonical British romantics but an array of major figures in Continental
literature, philosophy, and natural history, including Rousseau, Herder,
Goethe, Schelling, Schiller, and Alexander von Humboldt. Following the
pioneering work of Jonathan Bate and Karl Kroeber, she probes romantic
understandings of nature, the source of the sacred, the power of place,
and the role of literature, with a view to uncovering the tensions and
ambivalences within the European romantic tradition. The result is a synthetic
and philosophically inflected study that looks at the literary and ecological
significance of place within a broad cultural context.
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by Heike Schaefer
Over the past decade
a number of Mary Austins books have been reissued and her work has
been the subject of increasing critical attention. Heike Schaefers
study complements that renewed interest with a fresh, broad appreciation
of the complexity of Austins work. Considering unpublished materials
and the full range of Austins literary and theoretical writing,
Mary Austins Regionalism: Reflections on Gender, Genre, and Geography
presents Austin as a significant early twentieth-century author who reworked
the traditions of nature writing and womens regionalism to envision
a sustainable and democratic American culture.
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Edited by Mark Allister
The paradoxical role
nature plays in American myth and history grows in part from the male's
reverent fascination with the wilderness and his equally strong impulse
to dominate it. This tension lies at the heart of Eco-Man, which
brings together two rapidly growing fields: men's studies and ecocritcism.
The two disciplines have rarely if ever touched on each other; brought
together, men's studies is freed from its typical limitation of an exclusively
urban-centered perspoective, while ecocriticism engages an "ecomasculine"
lens through which to view the field.
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by Scott Herring
The earliest artists
and writers to observe America's national parks established aesthetic
categories that exist to this day. Scott Herring contends that these pioneers
were canon makers, recognizing the parks as naturally occurring works
of art and conferring upon them a cultural prestige. This spirit of celebration
gave way, however, to a sense of "outraged idealism," as later
generations were faced with a changing culture that had imperfectly absorbed,
and even misrepresented, the national-park aesthetic. Herring traces this
shift in the work of a wide spectrum of creative minds and relates the
book's chief themes to his own experiences in Yellowstone.
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by Glen A. Love
Practical Ecocriticism,
a book many years in the writing, is essentially a diagram for how to
think ecocritically. Glen Love begins with an overview of the field of
literature and the environment, argues in favor of a biological theoretical
base for literary studies, and then aims the lens of this scientifically
informed critical perspective at the pastoral genre and at the current
biocultural rediscovery of human nature. The result is the first book
to ground environmental criticism in the life sciences, particularly ecology,
and to attempt to bridge the ever widening gulf between the Two Cultures.
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by Ian
Marshall
Embracing
the exciting new field of ecopsychology, Marshall leads us on a personal
and intellectual odyssey, from the dream mountain of Henry David Thoreau
to the high slopes of John Muirs beloved Mount Shasta. Always,
Marshall returns to his own challenges as father and reader, and to
his own humble but rewarding mountain, Bald Eagle Ridge, in the Pennsylvania
countryside outside his back door.
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by Michael
A. Bryson
The work
of John Charles Fremont, Richard Byrd, Charlotte Perkins Gilman, John
Wesley Powell, Susan Cooper, Rachel Carson, and Loren Eiseley represents
a widely divergent body of writing. Yet despite their range of genresincluding
exploration narratives, technical reports, natural histories, scientific
autobiographies, fictional utopias, nature writing, and popular scientific
literaturethese seven authors produced strikingly connected representations
of nature and the practice of science in America from about 1840 to
1970. Michael A. Bryson provides a thoughtful examination of the authors,
their work, and the ways in which science and nature unite them.
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by Robert
Bernard Hass
Arguing
that the central problem of Frosts career was his conflict with
science, Robert Bernard Hass examines the ways in which the conflict affected
the development of Frosts career from beginning to end. In this
engaging and substantial exploration of Frost and the philosophical and
scientific currents that influenced him, Hass situates the poet as a foundational
figure in ecocritical thought.
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by Stephen
Adams
A blend
of history, literature, geology, geography, and natural history, Adams's
book focuses on both the physical changes to the land over time and the
changes in the way people viewed Virginia.
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by Mark
Allister
"There
is profound merit in locating the field of nature writing, and particularly
the authors and works emphasized in this study, within the tradition of
autobiographical nonfiction and, still more specifically, within the genre
of healing narratives. Mark Allister's Refiguring the Map of Sorrow
is a genuinely excellent contribution to the study of contemporary American
literature."
--Scott
Slovic, University of Nevada, Reno
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by Ralph
H. Lutts
"Fascinating...[the
issues raised by The Nature Fakers] have broad implications both
for public policy and for the emotional attachments people often feel
for animals."
--New
York Times Book Review
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edited
by Karla Armbruster and Kathleen R. Wallace
"These
essays illustrate the considerable range in both subject matter and critical
tactics available to and through ecocriticism; they chart out a wide,
varied, and inviting new territory for teaching and research."
--SueEllen
Campbell, Colorado State University
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by Ian Marshall
"One part guidebook
and two parts exploration into literary history and theory, Story Line
is a joy for people who like to walk and read. Marshall is a keen observer,
a dogged researcher and a terrific writer. . . . It would have been a
successful book had Marshall done nothing more than persuade readers that
walking on the Appalachian Trail is still the best way to encounter the
East's forested landscape. He has accomplished much more than that. He's
also blazed an engrossing new path to experience some of its finest literature."
--New York Times
Book Review
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by Bernard W. Quetchenbach
Many poets writing after
World War II have found the individual focus of contemporary poetics poorly
suited to making statements directed at public issues and public ethics.
The desire to invest such individualized poetry with greater cultural
authority presented difficulties for Vietnam-protest poets, and it has
been a particular challenge for nature writers in the Thoreau tradition
who have attempted to serve as advocates for the natural world. Quetchenbach
assesses how such postwar poets as Robert Bly, Gary Snyder, and Wendell
Berry have dealt with this dilemma.
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by Patrick D. Murphy
Arguing that the field
of ecocriticism has matured to the point where it requires a thorough
critique and new theoretical underpinnings, Patrick D. Murphy suggests
a variety of ways ecocriticism can become more inclusive in its objects
of study and more sophisticated in its methodologies.
"A wonderful contribution
to ecocriticism, advancing the field in many exciting ways. This is a
book that will stimulate others to read new books, teach new kinds of
classes, conceive of ecocriticism differently. It will contribute to a
transformation of our thinking."
Cheryll
Glotfelty, University of Nevada, Reno
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by Rachel Stein
In Shifting the
Ground, Rachel Stein adds a feminist slant to the field of ecocriticism.
Americans have historically defined themselves in terms of their conquest
of "virgin land." Unfortunately, this identification has often
proved disastrous to groups such as women, Native Americans, and African
Americans, who were regarded as nature incarnate, part of the ground that
must be mastered in the name of nation.
Recasting authors like
Emily Dickinson, Zora Neale Hurston, Alice Walker, and Leslie Marmon Silko
against the backdrop of conquest rhetoric, Stein offers provocative new
readings of their texts. Her book paves the way for further development
of ecocriticism and ecofeminist theory with regard to American women writers. |
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http://www.upress.virginia.edu/books/ecocrit.html
Revised 6/27/07 |
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