You are here

Guarding Cultural Memory

Afro-Cuban Women in Literature and the Arts
Flora González Mandri
[field_main_title]


BUY Cloth · 256 pp. · 6 × 9 · ISBN 9780813925257 · $59.50 · May 2006
BUY Paper · 256 pp. · 6 × 9 · ISBN 9780813925264 · $23.50 · May 2006

In Guarding Cultural Memory, Flora González Mandri examines the vibrant and uniquely illuminating post-Revolutionary creative endeavors of Afro-Cuban women. Taking on the question of how African diaspora cultures practice remembrance, she reveals the ways in which these artists restage the confrontations between modernity and tradition.

González Mandri considers the work of the poet and cultural critic Nancy Morejón, the poet Excilia Saldaña, the filmmaker Gloria Rolando, and the artists María Magdalena Campos-Pons and Belkis Ayón. In their cultural representations these women conflate the artistic, the historical, and the personal to produce a transformative image of the black woman as a forger of Cuban culture. They achieve this in several ways: by redefining autobiography as a creative expression for the convergence of the domestic and the national; by countering the eroticized image of the mulatta in favor of a mythical conception of the female body as a site for the engraving of cultural and national conflicts and resolutions; and by valorizing certain aesthetic and religious traditions in relation to a postmodern artistic sensibility

Placing these artists in their historical context, González Mandri shows how their accomplishments were consistently silenced in official Cuban history and culture and explores the strategies through which culturally censored memories survived—and continue to survive—in a Caribbean country purported to have integrated its Hispanic and African peoples and heritages into a Cuban identity. The picture that finally emerges is one not only of exceptional artistic achievement but also of successful redefinitions of concepts of race, gender, and nation in the face of almost insurmountable cultural odds.

Reviews:


Guarding Cultural Memory contributes much to our understanding of an ëerasedí chapter of Cuban culture while enhancing at the same time the crucial role that Afro-Cuban culture played in the formation of a national culture.... A much-needed cultural and historical archive.

Adriana Méndez-Rodenas, University of Iowa, author of Gender and Nationalism in Colonial Cuba: The Travels of Santa Cruz y Montalvo, Condesa de Merlin

About the Author: 

Flora González Mandri, Professor of Writing, Literature, and Publishing at Emerson College, is the author of José Donoso’s House of Fiction: A Dramatic Construction of Time and Place and coeditor and cotranslator, with Rosamond Rosenmeier, of In the Vortex of the Cyclone: Selected Poems by Excilia Saldaña.

Interested in this topic?
Stay updated with our newsletters:

Related Books