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Mariana Griswold Van Rensselaer

A Landscape Critic in the Gilded Age
Judith K. Major

BUY Cloth · 304 pp. · 6 × 9 · ISBN 9780813933924 · $45.00 · Apr 2013
BUY Ebook · 304 pp. · ISBN 9780813934556 · $45.00 · Apr 2013

David R. Coffin Publication Grant, Foundation for Landscape Studies (2009)

Mariana Griswold Van Rensselaer (1851–1934) was one of the premier figures in landscape writing and design at the turn of the twentieth century, a moment when the amateur pursuit of gardening and the increasingly professionalized landscape design field were beginning to diverge. This intellectual biography—the first in-depth study of the versatile critic and author—reveals Van Rensselaer’s vital role in this moment in the history of landscape architecture.

Van Rensselaer was one of the new breed of American art and architecture critics, closely examining the nature of her profession and bringing a disciplined scholarship to the craft. She considered herself a professional, leading the effort among women in the Gilded Age to claim the titles of artist, architect, critic, historian, and journalist. Thanks to the resources of her wealthy mercantile family, she had been given a sophisticated European education almost unheard of for a woman of her time. Her close relationship with Frederick Law Olmsted influenced her ideas on landscape gardening, and her interest in botany and geology shaped the ideas upon which her philosophy and art criticism were based. She also studied the works of Charles Darwin, Alexander von Humboldt, Henry David Thoreau, and many other nineteenth-century scientists and nature writers, which influenced her general belief in the relationship between science and the imagination.

Her cosmopolitan education and elevated social status gave her, much like her contemporary Edith Wharton, access to the homes and gardens of the upper classes. This allowed her to mingle with authors, artists, and affluent patrons of the arts and enabled her to write with familiarity about architecture and landscape design. Identifying over 330 previously unattributed editorials and unsigned articles authored by Van Rensselaer in the influential journal Garden and Forest—for which she was the sole female editorial voice—Judith Major offers insight into her ideas about the importance of botanical nomenclature, the similarities between landscape gardening and idealist painting, design in nature, and many other significant topics. Major’s critical examination of Van Rensselaer’s life and writings—which also includes selections from her correspondence—details not only her influential role in the creation of landscape architecture as a discipline but also her contribution to a broader public understanding of the arts in America.


A nuanced and powerful history of the evolution of a critic, writer, and thinker. Major has done a remarkable job of putting Van Rensselaer in context, arguing for her importance, and for the need to engage such literature more seriously. She has also provided a rich context positioning landscape criticism in a larger narrative—a serious and significant contribution.

Thaïsa Way, author of Unbounded Practice: Women and Landscape Architecture in the Early Twentieth Century

Judith Major’s stellar biography brings to life one of the most distinguished art critics of the Gilded Age. Born into the top echelon of New York Society and surrounded by some of the country’s preeminent artists and writers, Van Rensselaer turned her critical eye to architecture and urban planning at a time when few women did. But some of her finest writings were reserved for the little-known art of landscape gardening. This is a must-read for anyone interested in America’s cultural history.

Judith B. Tankard, author of Beatrix Farrand: Private Gardens, Public Landscapes

Van Rensselaer’s complete writings embrace much more than landscape, including fiction, poetry, and a history of New York, as well as trenchant criticism of contemporary art and architecture. One hopes after reading this book that someone will focus on those aspects of this remarkable life.

National Association for Olmsted Parks

Major’s book firmly establishes Van Rensselaer as a key player in the rise of mainstream criticism, as well as situating her within a network of female professional peers including the muckraker Ida Tarbell and the architect Theodate Pope Riddle.

Design and Visual Culture

Major’s finely detailed analysis... will undoubtedly reestablish the significance of this writer and her work in the history of American landscape architecture and landscape criticism.


Mariana Griswold Van Rensselaer: A Landscape Critic in the Gilded Age is the product of an especially deep bond between an author and her subject that has grown from an extended period of determined digging.

Journal of American Culture

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