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Building Natures

Modern American Poetry, Landscape Architecture, and City Planning
Julia Daniel

BUY Cloth · 214 pp. · 6 × 9 · ISBN 9780813940830 · $55.00 · Nov 2017
BUY Ebook · 214 pp. · ISBN 9780813940854 · $55.00 · Nov 2017
BUY Paper · 214 pp. · 6 × 9 · ISBN 9780813940847 · $27.50 · Nov 2017

In Building Natures, Julia Daniel establishes the influence of landscape architecture, city planning, and parks management on American poetry to show how modernists engaged with the green worlds and social playgrounds created by these new professions in the early twentieth century. The modern poets who capture these parks in verse explore the aesthetic principles and often failed democratic ideals embedded in the designers’ verdant architectures. The poetry of Carl Sandburg, Wallace Stevens, William Carlos Williams, and Marianne Moore foregrounds the artistry behind our most iconic green spaces. At the same time, it demonstrates how parks framed, rather than ameliorated, civic anxieties about an increasingly diverse population living and working in dense, unhealthy urban centers.

Through a combination of ecocriticism, urban studies, and historical geography, Building Natures unveils the neglected urban context for seemingly natural landscapes in several modernist poems, such as Moore’s "An Octopus" and Stevens’s Notes Toward a Supreme Fiction, while contributing to the dismantling of the organic-mechanic divide in modernist studies and ecocriticism.


Daniel’s book moves into original territory, building upon the turn in modernist studies toward a reconsideration of ‘nature,’ inclusive of urban settings. Its dialogue between American poets and those who were designing and planning the settings that inspired them offers a worthy model for future study.

Bonnie Kime Scott, San Diego State University, author of In the Hollow of the Wave: Virginia Woolf and Modernist Uses of Nature

Daniel’s deftly written and astutely researched book brings together American modernist poetics and landscaped parks as two kinds of 'built natures.' She shows how poems and parks interweave the pastoral and the urban, the organic and the artificial, into an ecological form and content. Daniel’s book goes on a jaunty and studious walk through 'park poems.' In these poems she examines the fantasies and anxieties around the democratic ideals attached to green spaces that sprang up in the modernist period and still resonate today.

Joshua Schuster, The University of Western Ontario

Building Natures convinced me that it no longer makes sense to separate nature writing from urban modernism. So much of the work from the period deals with how to understand the natural world in relation to increasingly unavoidable effects of industrial modernity. These are interdependent spaces, and it is our critical obligation to treat them as the complex ecosystems they are.

American Literary History

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