In East-West Exchange and Late Modernism, Zhaoming Qian examines the nature and extent of Asian influence on some of the literary masterpieces of Western late modernism. Focusing on the poets William Carlos Williams, Marianne Moore, and Ezra Pound, Qian relates captivating stories about their interactions with Chinese artists and scholars and shows how these cross-cultural encounters helped ignite a return to their early experimental modes. Qian’s sinuous readings of the three modernists’ last books of verse—Williams’s Pictures from Brueghel (1962), Moore’s Tell Me, Tell Me (1966), and Pound’s Drafts and Fragments of Cantos CX-CXVII (1969)—expand our understanding of late modernism by bringing into focus its heightened attention to meaning in space, its obsession with imaginative sensibility, and its increased respect for harmony between humanity and nature.

Find a BookFor Our AuthorsRights and PermissionsRotunda Digital ImprintSupport UVA PressCareer OpportunitiesWalker Cowen Memorial PrizePrivacy Policy
P.O. Box 400318 (Postal)
Charlottesville, VA 22904-4318
210 Sprigg Lane (Courier)
Charlottesville, VA 22903-2417
434 924-3468 (main)
1-800-831-3406 (toll-free)
434 982-2655 (fax)
support uva press
Be a part of
the future
of publishing
Support UVA Press
uva logo
aup member
© 2022 UNIVERSITY OF VIRGINIA PRESS